Adam Pendleton (American, b. 1984) is a New York-based artist. In his paintings, drawings, and other works, Pendleton uses letters, words, drips, splatters, sprays, and collected images as primary materials. His work is a kind of continuous writing, in which language and gestural marks are incessantly recorded, transposed, and overwritten. Blurring the edges between modes of viewing and reading, between representation and abstraction, and between painting, drawing, and photography, Pendleton’s work is a visual philosophy of incomplete postulates. In 2008, he began to articulate his work through the idea of Black Dada, a visual project and ever-evolving inquiry into the relationships between blackness, abstraction, and the avant-garde.
His work is held in public collections including The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Studio Museum in Harlem, New York; the Carnegie Museum of Art, Pittsburgh; the Dallas Museum of Art; the Museum of Contemporary Art, Chicago; the Museum of Contemporary Art, San Diego; the National Gallery of Canada, Ottowa; and Tate Modern, London.